Двора на кирилицата

Decorative Cyrillic. Free Fonts | Декоративна кирилица. Безплатни шрифтове


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Balkara

Balkara
Balkara

Balkara is a free font presented by http://npoekmu.me/.
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Bulgaria Moderna

Bulgaria Moderna
Bulgaria Moderna

Bulgaria Moderna Font by Yanko Tsvetkov is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License. Some rights reserved. Please read the license before use.
Bulgaria Moderna is an OpenType digital font inspired by the Early Cyrillic script developed during the 10th Century in the Preslav Literary School. In addition to all modern Cyrillic characters, the project covers the entire set of modern Latin and Greek alphabets with many additional special characters and a complete set of diacritics.
Yanko Tsvetkov: „Bulgaria Moderna was one of my first typographic projects, born out of curiosity but also necessity. In the winter of 2010 I was working on a Bulgarian ethnographic design project and I needed a suitable font. I wasn’t satisfied with what I found on the market, so I started dreaming of making one on my own. Few months later, in July, during one of the hottest London summers ever, I felt I was brave enough to dive in the cold murky waters of typography. The real cause was probably heat-induced insanity but whatever pushed me, I think it worked. Now Bulgaria Moderna is in its third version and not only supports all Slavic Cyrillic-based alphabets, it also includes all Latin and Greek characters. As usual, any feedback, positive or negative, is highly appreciated.“
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Certege Italic

Certege
Certege

Certege imitates samples of ЕСКД font seen in non-technical illustrations. Designed by Sergey Slyusarev.
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Cheque

Cheque
Certege

Cheque is a free display font by Fontfabric.
It started as a student project but then grew to its full potential, becoming the gorgeous font that is now. The font is based on geometric shapes and has a very classy vintage look. Cheque looks best when used for headlines or compositions.
Regular and Black fonts are both free for personal and commercial use.

Designed by Mirela Belova, Fontfabric.

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CMU Typewriter Text | Computer Modern Typewriter

CMU Typewriter Text
CMU Typewriter Text | Computer Modern Typewriter

Created by Donald E. Knuth with the METAFONT font-creation system as a companion to his TeX typesetting system. The letters are parameterized by a total of sixty-two parameters, most of which are independent of each other. (It is, in this sense, more highly-parameterized than any existing Multiple Master font.) Every style—serif and sans serif, monospace and proportional, italic and upright, bold, extended, condensed, and so on—is generated from the same sources, given different parameters.
Later, the fonts were converted to Type1 and TrueType, then eventually OpenType, formats, to integrate with modern operating systems.
The typefaces were developed over a period of time from 1977 to 1985, with minor adjustments thereafter.
The fonts are freely redistributable and usable for any purpose, personal or commercial.
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CMU Typewriter Text Light | Computer Modern Typewriter Light

CMU Typewriter Text Light | Computer Modern Typewriter Light
CMU Typewriter Text Light | Computer Modern Typewriter Light

Created by Donald E. Knuth with the METAFONT font-creation system as a companion to his TeX typesetting system. The letters are parameterized by a total of sixty-two parameters, most of which are independent of each other. (It is, in this sense, more highly-parameterized than any existing Multiple Master font.) Every style—serif and sans serif, monospace and proportional, italic and upright, bold, extended, condensed, and so on—is generated from the same sources, given different parameters.
Later, the fonts were converted to Type1 and TrueType, then eventually OpenType, formats, to integrate with modern operating systems.
The typefaces were developed over a period of time from 1977 to 1985, with minor adjustments thereafter.
The fonts are freely redistributable and usable for any purpose, personal or commercial.
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CMU Typewriter Text Variable | Computer Modern Typewriter Variable

CMU Typewriter Text Variable | Computer Modern Typewriter Variable
CMU Typewriter Text Variable | Computer Modern Typewriter Variable

Created by Donald E. Knuth with the METAFONT font-creation system as a companion to his TeX typesetting system. The letters are parameterized by a total of sixty-two parameters, most of which are independent of each other. (It is, in this sense, more highly-parameterized than any existing Multiple Master font.) Every style—serif and sans serif, monospace and proportional, italic and upright, bold, extended, condensed, and so on—is generated from the same sources, given different parameters.
Later, the fonts were converted to Type1 and TrueType, then eventually OpenType, formats, to integrate with modern operating systems.
The typefaces were developed over a period of time from 1977 to 1985, with minor adjustments thereafter.
The fonts are freely redistributable and usable for any purpose, personal or commercial.
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Dan

Description: DAN free font is applicable for any type of graphic design – web, print, motion graphics etc and perfect for t-shirts and other items like posters, logos.
Languages: Afrikaans, Alsatian, Azeri (Cyrillic), Azeri (Latin), Basque, Belarusian, Bislama, Breton, Bosnian (Cyrillic), Bulgarian, Catalan, Chamorro, Danish, Dutch, English, Estonian, Faroese, Finnish, Flemish, Franco-Provencal, French, Frisian, Friulian, Galician, German, Greenlandic, Icelandic, Indonesian, Irish, Italian, Kazakh, Kyrgyz, Kurdish (Latin), Ladin, Latin, Latvian, Lithuanian, Luxembourgish, Malay, Manx Gaelic, Macedonian (FYROM), Moldovian, Mongolian, Norwegian (Bokmål), Norwegian (Nynorsk), Occitan, Portuguese, Rhaeto-Romance, Romansh, Russian, Sami (Inari), Sami (Lule), Sami (Northern), Sami (Skolt), Sami (Southern), Scottish Gaelic, Serbian, Spanish, Swahili, Swedish, Tagalog, Tatar, Turkish, Ukrainian, Uzbek (Cyrillic), Uzbek (Latin), Walloon, Welsh
Format: Opentype (.otf) Compatible: PC & Mac Details: 280 Character Set, Manual Kerning, Tracking / Pairs Price: Free
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Deux

DEUX / [dø] – in french means ‘two’. DOUBLE-LINE ACCIDENTAL FREE FONT. LATIN & CYRILLIC VERSIONS. inspired by rock-oil magic & art nouveau welding details.
Design: Misha Priem
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Digital Spatter

Digital Spatter
Digital Spatter

Font of the day #1: One of my very first fonts (if not the first) here on fontstruct. {Letters made from dots of pretty random size. Holds extended Latin A and B, Cyrillic and Greek alphabets and (very little) hiragana.
Design: Christian Munk
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Dobrozrachniy

Dobrozrachniy
Dobrozrachniy

Акцидентный гротеск с узкими пропорциями и низким контрастом, созданный на основе допетровской кириллицы и стилизованный под модерн. Два начертания: обычное и наклонное. Мультиязычный. Латиница, кириллица, расширенная латиница, расширенная кириллица. Подойдёт для заголовков и небольших объёмов текста, логотипов и иллюстраций, плакатов и упаковки.
Десктоп и веб-версия. Формат: ttf, woff, woff2, eot.
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GNU Typewriter

GNU Typewriter
GNU Typewriter

GNU Typewriter is multilingual font imitating a real typewriter. Full Language Support: Basic Cyrillic, Basic Latin. Partial Language Support: Central European.
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Gostrus

Gostrus
Gostrus

Gostrus is a geometric, Sans Serif typeface for design and preparation of technical documentation. Designed by Yuriy and Tatyana Krivoguz.
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Incopins Clusters

Incopins Clusters
Incopins Clusters by Peter Wiegel

Incopins Clusters
Incopins Clustersby Peter Wiegel

„Towards the end of the year 2013 I actually had no intention of to create any new fonts and so I spent my time visiting my favorite forum. There I encountered a request of a sports fan who wanted to surprise for his soccer friends, looking for the font of his soccer club logo, a font that reminded of Herzogenaurach – No, not for Silberlöwe or Wälzlager. Unfortunately, nobody was able to help, so I took a closer look at four letters and two digits, and developed a complete character set in Latin script in just 4 ½ hours.
But somehow that inspired me to complement this work, so I added diacritics and then also the Cyrillic alphabet.
Oh, the naming of the font? I simply used one of my saved „reCAPTCHA“ words … why not?“ (Peter Wiegel)
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Lombard

Lombard by Natalia Bielousova.
The FontStruction “Lombard” by “natic” is licensed under a Creative Commons Attribution Non-commercial No Derivatives license. “Lombard” was originally cloned (copied) from the FontStruction “lombard 1” by “natic”, which is licensed under a Creative Commons Attribution Share Alike license.

Copyright Natalia Bielousova 2013. Lombard was built with FontStruct. License: Creative Commons Attribution Non-commercial No Derivatives.

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Lombard swash

Lombard swash
Lombard swash

Lombard swash by Natalia Bielousova.
The FontStruction “Lombard swash” by “natic” is licensed under a Creative Commons Attribution Non-commercial No Derivatives license. “Lombard swash” was originally cloned (copied) from the FontStruction “lombard 1” by “natic”, which is licensed under a Creative Commons Attribution Share Alike license.

Copyright Natalia Bielousova 2013. Lombard swash was built with FontStruct. License: Creative Commons Attribution Non-commercial No Derivatives.

Note of the Editor: The project is not completed. There is some metric errors in the font.
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Lumberjack

Lumberjack
Lumberjack

Lumberjack by Aleksei Kalinin.

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Metropolis

Metropolis comes from the the industrial movement of the 1920’s where skyscrapers were born. “Using a double line technique, I wanted to create my own Art Deco style font that represented this era. The result is a bold, bumptious typeface with a stolidly calm disposition.”
Designed by Josip Kelava from Melbourne, Australia. You can follow Josip on his own portfolio site, behance or twitter.
Greek alphabet designed by Panagiotis Chatzigeorgiou, Athens, Greece.
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Milka Free

Milka Free
Milka Free

Milka is an 8-style stencil font family created by a team of designers born within the span of almost 70 years. It is a digital expansion on an alphabet designed in 1979 by the famous Bulgarian artist Milka Peikova.

The basic Milka font is a clean stencil design, while the Aged, Baked, Brittle, Crunchy, Dry and Soft styles are inspired by stencil and letterpress techniques and expand the usefulness by adding various degrees of warmth or roughness. The Milka font family has extensive Latin, Cyrillic and Greek character set support including localized forms for Russian and Bulgarian as well as numerous OpenType features.

Since 2014, Berlin-based Bulgarian type designer Botio Nikoltchev has been working with three Bulgarian female designers (the original designer Milka Peikova, who passed away in 2016 at the age of 96, and with Ani Petrova and Anelia Pashova, both from a young generation), as well as with Berlin-based Adam Twardoch and Andreas Eigendorf to create a modern revival of Ms Peikova’s inspiring stencil alphabet. Milka Peikova (1919-2016) was one of Bulgaria’s most famous female artists whose work has influenced several generations of Bulgarian designers. During her impressive career spanning almost seven decades, she created paintings, posters, book covers, textile designs and alphabets, both individually and together with her husband Georgi Kovachev-Grishata (1920–2012).

To try Milka in your project, download the Milka Free (uppercase-only) version!

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Neocyr

Neocyr
Neocyr

Neocyr is a decorative typeface that includes Latin and Cyrillic characters. Автор: Viktar Palstsiuk.
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Perfograma

Perfograma
Perfograma

Perfograma – dot-by-dot free font by Asen Petrov, Bulgaria!
The font is inspired by computing machines IBM Harvard – Mark 1, an electro mechanical computer read its instructions from a 24-channel punched paper tape and executed the current instruction and then read in the next one. It had no conditional branch instruction. The original concept was presented to IBM by Howard Aiken in November 1937.
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Screpka

„Акцидентный декоративный шрифт „Скрепка“. Состоит из кириллического и латинского алфавита + основные спецсимволы (всего 94). Подходит для написания крупных заголовков и шрифтовых выделений. Отдаю даром, скачать можно по ссылке“ (Юрий Кулевич, автор).

Screpka by Юрий Кулевич.
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Socium

Socium
Socium

ПРОЕКТИ.ТЕ съобщава за нов безплатен шрифт Socium. За да го видите и свалите, посетете сайта ПРОЕКТИ.ТЕ.
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Sprite Graffiti Font

Sprite Graffiti Font
Sprite Graffiti Font

Sprite Graffiti Font е първият български графики шрифт на кирилица, създаден по случай 24 май. Художници: Arsek & Erase (Four Plus). Разработчици на шрифта: Ani Petrova & Vasil Stanev (Fontfabric).
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Stiff Staff

Stiff Staff
Stiff Staff

Stiff Staff is decorative free font. Designed by Borislav Petrov.
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Tangak

Tangak
Tangak

Tangak by Dastan Miraj.
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Testo

Testo
Testo

Testo
Testo

Testo by Egor Stremousov.
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Tetra

Tetra
Tetra

Decorative sans serif free font. He brings us some unique „old style“ feeling which is presented in contemporary curves that make the font applicable for both – retro and modern designs. Tetra contains both – regular sans serif and decorative font styles.

Design: Alex Frukta and Fontfabric.

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Tsarevich

Бесплатный шрифт „Царевич“ состоит из 3 начертаний (light, regular, bold). Поддерживает языки: Русский, English, Беларускі, Български, Deutsch, Nederlands, Italiano, Español, Lietuvos, Norsk, Polski, Türk, Татарский, Український, Français, Suomi, Čeština, Eesti. Основные символы (+ знак рубля). Всего 1695 символов.

Tsarevich by Миша Панфилов.
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USSR Stencil

USSR Stencil
Tetra

In 2008, Ivan Gladkikh started the Free fonts project aiming to make free typography more popular. More than 50 fonts and typefaces were created in collaboration with a significant number of famous and novice Russian designers. Many of those fonts, such as Cuprum, Philosopher, Molot, Bender, Flow, and Neucha, may now be seen all over the world in some very surprising and unexpected places. In 2014, some projects of the TypeType company have joined the Free fonts project, along with the TypeType School students’ graduation works that were created in the course of face-to-face and online learning process under the School’s art-director supervision. USSR STENCIL is a part of this project.

Design: Anastasia Mihaleva.

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При описанието на шрифтовете е използвана информация от сайтовете ПРОЕКТИ.ТЕ, MYFONTS.COM, FONTFABRIC.COM.

Стефан Пеев

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